Listen to varied voices of a dramatic text. Some are impish, others are loud; still others are nonchalant. Many voices are sentimental, grieving, emphatic, demanding, comic, struggling, relaxed. Characters in print come alive inside our heads as we read about and articulate their roles and circumstances. We could convey out loud or softly almost any voice dramatized in text. For hours, we could get amused, tickled, diverted, angered, rebuked, interested, and enamored. The choice is ours to become what we could not realistically be simply by casting our voices in character!
Tuesday, January 27, 2015
GetEntertained
8 …
Listen to varied voices of a dramatic text. Some are impish, others are loud; still others are nonchalant. Many voices are sentimental, grieving, emphatic, demanding, comic, struggling, relaxed. Characters in print come alive inside our heads as we read about and articulate their roles and circumstances. We could convey out loud or softly almost any voice dramatized in text. For hours, we could get amused, tickled, diverted, angered, rebuked, interested, and enamored. The choice is ours to become what we could not realistically be simply by casting our voices in character!
Listen to varied voices of a dramatic text. Some are impish, others are loud; still others are nonchalant. Many voices are sentimental, grieving, emphatic, demanding, comic, struggling, relaxed. Characters in print come alive inside our heads as we read about and articulate their roles and circumstances. We could convey out loud or softly almost any voice dramatized in text. For hours, we could get amused, tickled, diverted, angered, rebuked, interested, and enamored. The choice is ours to become what we could not realistically be simply by casting our voices in character!
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment